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Founded in October of 2017, Boston Art Review (BAR) is an independent online and print publication committed to facilitating active discourse around contemporary art in Boston.

© 2026 Boston Art Review. All rights reserved.

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Issue 14: Half Full - 0_Front-square
  • Issue 14: Half Full - 0_Front-square
  • Issue 14: Half Full - IMG_9164_1
  • Issue 14: Half Full - BAR_14-Lucy
  • Issue 14: Half Full - BAR_14-berkshires
  • Issue 14: Half Full - BAR_14-new_to_town

Issue 14: Half Full

Spring/Summer 2025

$21.00

Spring/Summer 2025

HALF FULL delights in duality, incompleteness, and lapses in memory. 

Issue 14 features 119 pages of writing as well as include a special mini magazine insert previewing the Boston Public Art Triennial. 

With contributions by: 
Sónia Almeida
Clara Maria Apostolatos
Luis Arnías
Storm Bookhard
Jacqueline Houton
Jameson Johnson 
Lauren Levato Coyne
Joetta Maue
Darla Migan
Michelle Millar Fisher
Michael Medeiros
Karla Méndez
Ramona Ngin
Memory Object
Alanna Prince
Alisa Prince
Thea Quiray Tagle
Rachel TonThat
Dorian Wood

Featuring: 
Nora Burnett Abrams
Sarah Ganz Blythe
Renée Green
Yonatan Hopp
Kathy King
Skooby Laposky
Miguel Enrique Lastra
Jennie Jieun Lee
Lucy R. Lippard
Megumi Naitoh
Angela Tate

Cover: Renée Green, Colour Games, 1989. Acrylic on wood, Letraset dry-transfer lettering, and rubber-stamped ink on Masonite. Collection Yun Chun Lu.

Print subscribers get free shipping + other perks!

In this Issue

Title

Author

Category

Link

From the Editor

Jameson Johnson

Letter

Persistence in the Archives: Community Engagement and new platforms are fueling a renewed interest in local histories

Alanna and Alisa Prince

Features

The Bounty of the Berkshires’ Art Attractions

Lauren Levato Coyne

Features

READ

Modes of Expedition: Renée Green’s textual cartographies

Storm Bookhard

Profile

READ

Good Stuff: Lucy R. Lippard takes stock of a life well lived

Michelle Millar Fisher

Conversations

READ

Turning Basil into Beats: How sound artist Skooby Laposky makes music with plants

Jacqueline Houton

Conversations

READ

Antidiscipline / Antidisciplinario: Luis Arnías and Dorian Wood on intuition, liberation, and the art of refusing structure

Jameson Johnson

Conversations

New to Town: Sarah Ganz Blythe, Nora Burnett Abrams, and Angela Tate discuss their first year on the job at Boston-area museums

Jameson Johnson

Curator's Corner

READ

Holding More: The vessel as a site of possibility

Kaitlyn Ovett Clark

Community Voices

Resonant Variations

Sónia Almeida, in collaboration with Memory Object

Artist Project

“an archive and/or a repertoire” at Tufts University Art Galleries

Clara Apostolatos

Reviews

READ

“Dirty & Disorderly” at MASS MoCA

Rachel TonThat

Reviews

“Temporarily Ours” at Smith College Museum of Art

Michael Medeiros

Reviews

READ

“As It Were, Suspended in Midair” at Brandeis University’s Kniznick Gallery

Joetta Maue

Reviews

READ

“Charles Atlas: About Time” at the ICA / Boston

Ramona Ngin

Reviews

READ

“Waters of the Abyss: An Intersection of Spirit and Freedom” at the Isabella Stewart Gardner Museum

Thea Quiray Tagle

Reviews

READ

“Witnessing Humanity: The Art of John Wilson” at the Museum of Fine Arts, Boston

Jacquinn Sinclair

Reviews

READ

“Julien Creuzet: Attila cataract…” at the David Winton Bell Gallery at Brown University

Karla Méndez

Reviews

READ

“Hugh Hayden: Home Work” at the Rose Art Museum

Darla Migan

Reviews

READ

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Articles from this Issue

Issue 14 • Jan 13, 2026

Good Stuff: In Conversation with Lucy R. Lippard

Interview by Michelle Millar Fisher

Issue 14 • Dec 03, 2025

Shades of Belonging in MASS MoCA’s “Dirty & Disorderly”

Review by Rachel TonThat

Issue 14 • Oct 28, 2025

New to Town: Sarah Ganz Blythe, Nora Burnett Abrams, and Angela Tate

Feature by Jameson Johnson

Issue 14 • Sep 30, 2025

Turning Basil into Beats: How Sound Artist Skooby Laposky Makes Music with Plants

Interview by Jacqueline Houton

Issue 14 • Sep 23, 2025

Modes of Expedition: Renée Green's Textual Cartographies

Profile by Storm Bookhard

Issue 14 • Sep 09, 2025

Cannupa Hanska Luger’s "Transmutation" Considers What the Bones Remember

Feature by María Fernanda Mancera

Issue 14 • Jun 10, 2025

At the MFA, John Wilson’s Retrospective Focuses on Process and Legacy 

Review by Jacquinn Sinclair

Issue 14 • Jun 03, 2025

Hannah Altman's Photographs Suspend Light and Lineage

Review by Joetta Maue

Issue 14 • May 31, 2025

The Bounty of the Berkshires' Summertime Art Attractions

Feature by Lauren Levato Coyne

Issue 14 • May 20, 2025

"Temporarily Ours" Finds Belonging in the Margins

Review by Michael Medeiros

Issue 14 • May 13, 2025

Julien Creuzet Brings the Sounds of the Atlantic to Brown's Bell Gallery

Review by Karla Méndez

Issue 14 • May 06, 2025

Hugh Hayden’s “Home Work” Dismantles the Architecture of the American Dream

Review by Darla Migan

Issue 14 • Apr 28, 2025

Portals to Power: Fabiola Jean-Louis at the Gardner

Review by Thea Quiray Tagle

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