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Issue 12 • Nov 12, 2024
Literature and Liberation: A Bookstore and Gathering Place Comes to Fields Corner
On Saturday, November 23, Bing Broderick and Porsha Olayiwola will open justBook-ish—a communal gathering space and literary hub in the heart of Dorchester. We're revisiting the story originally published in print in Issue 12 on occasion of their grand opening.
Feature by Niara Simone Hightower
Read MoreRecent Articles
Online • Nov 12, 2024
Illuminus Kicks Off First Neighborhood-Specific Activation at an Old Tire Shop in Dorchester
Quick Bit by Erwin Kamuene
Recent Reviews
Online • Oct 29, 2024
New To Town: Carmen Hermo on her Appointment as Curator of Contemporary Art at the MFA
The former associate curator for the Brooklyn Museum’s Center for Feminist Art started in her new role last month, but already has big plans for Boston.
Interview by Jameson Johnson
Online • Sep 10, 2024
Eleven Art Exhibitions to See in Massachusetts This Fall
Keeping it local this back-to-school season, these are the exhibitions our editors are most excited to see at galleries, museums, and community art spaces across Massachusetts.
Feature by BAR Editorial
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Online • Nov 12, 2024
Making Theater for the Most Drama-Prone of Audiences
Interview by Jacqueline Houton
Online • Nov 12, 2024
Illuminus Kicks Off First Neighborhood-Specific Activation at an Old Tire Shop in Dorchester
Quick Bit by Erwin Kamuene
Online • Nov 12, 2024
Literature and Liberation: A Bookstore and Gathering Place Comes to Fields Corner
Feature by Niara Simone Hightower
Online • Nov 05, 2024
At MassArt Art Museum, "Displacement" Tells a Story of Environmental Destruction and Human Migration
Review by Shana Garr
Online • Oct 29, 2024
New To Town: Carmen Hermo on her Appointment as Curator of Contemporary Art at the MFA
Interview by Jameson Johnson
Online • Oct 22, 2024
"Alive and Kicking" Packs a Playful Punch at the Colby College Museum of Art
Review by Maddie Klett
Online • Oct 22, 2024
At Boston Cyberarts Gallery, "Plastic Image Retrospective" Reflects on When Xerox Machines Were Avant-Garde
Review by Jackson Davidow
Online • Oct 16, 2024
Making Her Mark: Jo Ann Rothschild on Forms in Motion and the Perpetual Emergence of Women Artists
Interview by Michelle Millar Fisher
Online • Oct 14, 2024
“Four Womxn: New Musings on Blackness” Centers the Black Female Gaze at the MFA
Review by Gabrielle Mitchell-Bonds
Online • Oct 08, 2024
At Brookline Arts Center, Inas Halabi Filters Destruction Through a Red Lens in "To a Returning Cloud"
Review by Zach Ngin
Online • Oct 01, 2024
In Newport, a Queer Sex Scandal and Sailor Sting Operation From 1919 Get a Film Dramatization
Review by Marcus Civin
Online • Sep 17, 2024
At LaiSun Keane, Michael C. Thorpe’s Quilts Challenge Convention in “Barstool Sports”
Quick Bit by Erwin Kamuene
Online • Sep 10, 2024
Eleven Art Exhibitions to See in Massachusetts This Fall
Feature by BAR Editorial
Online • Sep 03, 2024
Department of Public Imagination’s Radical Guide to Rest and Relaxation
Review by Alli Armijo
Online • Sep 03, 2024
At Piano Craft Gallery, Ryan Horton Finds His Footing with "Ego & Insecurities"
Quick Bit by Alisa Prince
Online • Aug 27, 2024
In “No Place Like Home,” Three Artists Present Fresh Perspectives on the Streets of Arlington
Review by Jacqueline Houton
Online • Aug 27, 2024
Another SoWa Departure: In Conversation with Abigail Ogilvy on the Closure of Her Boston Gallery
Interview by Jameson Johnson
Online • Aug 24, 2024
Firelei Báez: Unveiling the Pan-African Diaspora
Critical Perspective by Helina Almonte
Online • Aug 20, 2024
Heather McPherson Grasps at Loss, Memory, and Dreams at the Distillery Gallery
Review by Karolina Hac
Online • Aug 13, 2024
Vivid Oblivion's New Performance Series Leaves "Some Kind Of Residue"
Quick Bit by Claire Ogden
Online • Aug 12, 2024
Exhibition of Envelopes Addressed by Notable Designers Fills the Drawers at Katherine Small Gallery
Review by Poppy Livingstone
Online • Aug 07, 2024
A New Mural by Thomas “Detour” Evans Provokes a Conversation About Where Public Art Belongs
News by Oisin Rowe
Online • Aug 06, 2024
At Gallery Kayafas, Photography that Captures the Agency of the Incarcerated
Quick Bit by Erwin Kamuene
Online • Aug 05, 2024
Karma’s Maine Group Show “A Particular Kind of Heaven” Offers a Century of Skygazing
Review by Jessica Shearer
Online • Jul 30, 2024
Love, Hijinks, and Fragile Groundwork: A Conversation with Ethan Murrow
Interview by Monica Lynn Manoski
Online • Jul 26, 2024
Wu Tsang's "Of Whales” Conjures an Otherworldly Oceanscape at a Distance from the Real Thing
Review by Thea Quiray Tagle
Online • Jul 17, 2024
Two Sides of Summer: "Tara Donovan and Hamish Fulton" at Krakow Witkin Gallery
Quick Bit by Helen Miller
Online • Jul 17, 2024
A Perch with Purpose: Jean Shin's Salvaged Trees Greet Birds and Visitors at Appleton Farms
Feature by Karolina Hac
Online • Jul 16, 2024
At ODD-KIN, Jungil Hong Defies the Constraints of the Labor of Art-Making
Review by Elizabeth Maynard
Online • Jul 16, 2024
2024 Boston Art Writing Fellows Blog: Exhibition Reflections
Review by BAR Editorial
Online • Jul 09, 2024
Continuity in Community Organizing: Engaging Movement Histories Held at Museums
Feature by Alula Hunsen
Online • Jul 09, 2024
Unearthed History: Tragedy and Triumph in Maya Erdelyi’s "Anyuka"
Review by Emma Breitman
Online • Jun 25, 2024
Jay Critchley Provocatively Pairs Patriotism with Queerness at SPOKE Gallery
Review by Jackson Davidow
Online • Jun 24, 2024
At BAMS Fest, the "Rep Your City" Art and Graffiti Exhibition Returns with an Art Sale
News by Niara Simone Hightower
Online • Jun 12, 2024
When Artists Organize: The fight against displacement in Greater Boston
Feature by Shira Laucharoen
Online • Jun 11, 2024
Fourteen Must-See Museum Exhibitions to Check Out in New England This Summer
Feature by BAR Editorial
Online • Jun 06, 2024
At Ellen Miller Gallery, Cristi Rinklin Paints on a Slippery Plane of Memory and Perception
Review by Oisin Rowe
Online • Jun 06, 2024
Tim McCool Suspends Time and Shadows at Anderson Yezerski Gallery
Quick Bit by Douglas Breault
Online • Jun 02, 2024
An Honest Self-Rendering: Looking Inside of Sima Schloss’s On Empathy at ShowUp
Review by Helina Almonte
Online • May 30, 2024
Ode to the Barbershop: Style as Preservation in Erick Maldonado Delights Momentum at Kingston Gallery
Quick Bit by Erwin Kamuene
Online • May 30, 2024
A History of the Folly Cove Designers, a Pioneering Printmaking Collective
Critical Perspective by David Curcio
Online • May 30, 2024
Putting the Public in Public Art: How participatory projects are bringing Bostonians together
Feature by Jacquinn Sinclair
Online • May 21, 2024
New Gallery No Call No Show Gives Artists a Space to Test-Run Big Ideas
Feature by Emma Breitman
Online • May 07, 2024
“Lorraine O’Grady: Both/And” at the Davis Museum at Wellesley College
Review by Alisa Prince
Online • May 01, 2024
Community Engagement Is Underway for a New Vietnam War Memorial in Dorchester
Feature by Shira Laucharoen
Online • Apr 16, 2024
BU MFA Exhibition “Sculpturecore” Takes to an Abandoned CVS to Probe at What Lies Beneath the Surface
Review by Shira Laucharoen
Online • Apr 08, 2024
Taleen Batalian and Françoise McAree in Tandem: “Counterpoint” at Overlap Gallery
Review by Elizabeth Maynard
Online • Apr 08, 2024
Language, Symbols, and Systems: Sneha Shrestha Layers Personal Devotions with Cultural Rituals
Interview by Jameson Johnson
Online • Mar 26, 2024
Boston Art Review Appoints First Executive Director
Announcement by BAR Editorial
Online • Mar 26, 2024
In Portland, Lauren Luloff Creates New Formations
Review by Kari Adelaide Razdow
Online • Mar 21, 2024
Announcing New Board Members and Leadership Appointments
Announcement by BAR Editorial
Online • Mar 20, 2024
Shantel Miller’s “I’ve Been Trying to Reach You” Converses Across the Divide
Review by Shira Laucharoen
Online • Mar 19, 2024
At the Whitney Biennial, Expansive Representations of Age, Gender, and Technology Are Subtly on Display
Review by Lauren Klotzman
Online • Mar 19, 2024
Corporal Identity: “On Her Terms: Feminine Power Embodied” at the Fitchburg Art Museum
Review by Emma Breitman
Online • Mar 06, 2024
MASS MoCA Unionized Workers Embark on Indefinite Strike Over Wages
News by Shira Laucharoen
Online • Mar 05, 2024
Sunlit Sentiments: Yorgos Efthymiadis’s “The Lighthouse Keepers” at Gallery Kayafas
Review by Douglas Breault
Online • Feb 28, 2024
Announcing the 2024 Emerging Boston Art Writing Fellows
Announcement by BAR Editorial
Online • Feb 12, 2024
A Grab Bag of Goodies from the Edge of the World: The Fine Arts Work Center Fellows at PAAM
Review by Jacqueline Houton
Online • Feb 07, 2024
Advancing the Creative Sector Legislative Agenda: A Breakdown of the Bills
News by Shira Laucharoen
Online • Feb 01, 2024
“The Myth of Normal: A Celebration of Authentic Expression” at MassArt Art Museum
Review by Katherine Schreiber
Online • Jan 29, 2024
Speculative Tourism from NYC to the DMZ: Sophie Friedman-Pappas and TJ Shin in Conversation with Moira Sims
Interview by Moira Sims
Online • Jan 22, 2024
Christian Walker: Thoroughly Political, Poignant, and Worthy of Further Exploration
Review by Marcus Civin
Online • Jan 19, 2024
Taking Back the Narrative(s): “Deeply Rooted: Faith in Reproductive Justice” at Brandeis’ Kniznick Gallery
Review by Melanie Litwin
Online • Jan 08, 2024
“Faith Ringgold: Freedom to Say What I Please” at Worcester Art Museum
Review by Karla Méndez
Online • Dec 21, 2023
"As We Rise: Photography from the Black Atlantic” at Peabody Essex Museum
Review by Alisa Prince
Online • Dec 14, 2023
America on Display: Making the Museum a Classroom for Citizenship
Feature by Jacqueline Houton
Online • Dec 07, 2023
Caroline Bagenal’s Swimming Sculptures Explore the Healing Power of Water
Review by Karolina Hac
Online • Dec 05, 2023
Holiday Markets for Shopping Local in the Greater Boston Area
Feature by BAR Editorial
Online • Nov 28, 2023
Queered Botany, Quilted Archives: In Conversation with Aaron McIntosh
Interview by Kendall DeBoer
Online • Nov 21, 2023
Adoration and Collections by the Sea at the New Bedford Whaling Museum
Review by Shana Garr
Online • Nov 21, 2023
Canvases of Camouflage: In Conversation With Tammy Nguyen
Interview by Josephine Halvorson
Online • Nov 14, 2023
Images Reclaimed: Chantal Zakari's New Book Sends Messages to Those Inside
Review by Claire Ogden
Online • Nov 14, 2023
Eyes Without a Face: Providence-Based Duo Velvet Other World Explore Sexuality and Concealment
Feature by Marcus Civin
Online • Nov 13, 2023
Visits and Vigils: Crystalle Lacouture’s Material Memories
Profile by Jessica Shearer
Online • Nov 07, 2023
Holding Humanity with the Boston Palestine Film Festival: A Conversation with Erik DeLuca and Michael Maria
Interview by Erik DeLuca
Online • Nov 07, 2023
Modernism Both Past and Present Shine in Two Shows at the Ogunquit Museum of American Art
Review by Hilary Irons
Online • Oct 31, 2023
Sculpting as Translation: In Conversation with Jocelyn Shu
Interview by Yutong Shi
Online • Oct 17, 2023
Building Worlds of Resistance: A Conversation with Arghavan Khosravi
Interview by Jessica Shearer
Online • Sep 27, 2023
Putting the Art in Startup: How Anupallavi Sinha Is Inviting Artists into the Laab
Interview by Alula Hunsen
Online • Sep 19, 2023
A People’s Archive: “Hip-Hop: Seen/Unseen” opens on the Greenway
News by Alula Hunsen
Online • Sep 12, 2023
Printing in P-town: Overlooked Printers Make an Impression at the MFA
Review by Katherine Schreiber
Online • Sep 08, 2023
In Harvard Square, Nat Reed’s “Bikes Move Us” Conveys New Meanings from Old Forms
Review by Sonia Richter
Online • Sep 01, 2023
At Beacon Gallery, Photographer Cheryl Miller Captures Eternal Communities
Review by Alisa Prince
Online • Aug 29, 2023
At Karma’s Summer Outpost in Maine, Color Breaks the Silence of a Former Church
Review by Hilary Irons
Online • Aug 29, 2023
Brian Smith Explores Aquatic Futures in “That Queer Fish”
Review by Karolina Hac
Online • Aug 25, 2023
Elizabeth Colomba's "Mythologies" Reclaims Whitewashed Narratives
Review by Jessica Shearer
Online • Aug 22, 2023
Portraits and Perception: At Gallery VERY, Familiar Faces Line the Walls of “PERSONA”
Review by Poppy Livingstone
Online • Aug 14, 2023
A Trove of Donelan’s Queer Cartoons Delights at Jameson & Thompson
Review by Claire Ogden
Online • Aug 07, 2023
A Short but Winding Road in Matthew Wong’s Paintings at MFA, Boston
Review by Karolina Hac
Online • Jul 25, 2023
Learning and Imagining Reparations with the Mayor’s Office of New Urban Mechanics
Feature by Erik DeLuca
Online • Jul 18, 2023
Passing the Torch: Edmund Barry Gaither and Danny Rivera on Organizing and Keeping the Faith
Interview by Alula Hunsen
Online • Jul 07, 2023
The Undeniable Legacy of Edgefield's Black Potters Rings Loud and Clear at the MFA
Review by Lian Parsons-Thomason
Online • Jul 06, 2023
Kate Greene’s “Black Sun” Toys With Photographic Distortion at Grant Wahlquist Gallery
Review by Hilary Irons
Online • Jul 04, 2023
Capturing Childhood: In Conversation with Photographer Kristen Emack
Interview by Bethany Ericson
Online • Jun 28, 2023
Mapping Obsessão: In Conversation with Lyle Ashton Harris
Interview by Jameson Johnson
Online • Jun 26, 2023
From Murals to Movements: How Street Art Is Transforming East Boston and Beyond
Feature by Dana Forsythe
Online • Jun 26, 2023
Covert Operations: Tyler Coburn and Ian Hatcher's Remote Viewer Explores CIA Seances
Interview by Hilary Irons
Online • Jun 20, 2023
Take the Day: Fourteen Exhibitions That Warrant Art-Filled Trips Across New England
Feature by BAR Editorial
Online • Jun 18, 2023
Imagining with Imagine W/: Circle Squared Screens Black Artist Conversations at the ICA for Juneteenth
Feature by Alula Hunsen
Online • Jun 14, 2023
Juneteenth 2023: Cultural and Community Gatherings Across Boston
Feature by Niara Simone Hightower
Online • Jun 13, 2023
Lucy Kim’s Vibrant Matter Mystifies and Enchants in “Dead or Dormant” at ODD-KIN
Review by Kendall DeBoer
Online • Jun 12, 2023
A Bygone Era in Boston’s Punk Scene Is Revisited in Michael Grecco’s Anderson Yezerski Exhibition
Profile by Olivia Deng
Online • Jun 06, 2023
In “Letters Mingle Souls,” Mitsuko Brooks's Mail Art Ventures Beyond Life and Death
Review by Marcus Civin
Online • Jun 01, 2023
At MAAM, Jace Clayton Invites the Public to Coauthor his Algorithmic Musical Scores
Review by Toby Wu
Online • May 27, 2023
The Sublime Feminine: Caleb Yono’s “Flotsam” Actualizes Femme Futures at Shoe Bones Gallery
Review by Poppy Livingstone
Online • May 24, 2023
Event Recap: The Fifth Anniversary and Issue 10 Release Party
Announcement by BAR Editorial
Online • May 23, 2023
A Film for Transient Archives: In Conversation with Georden West
Interview by Jasper A. Sanchez
Online • May 18, 2023
Speculative Narratives for Corrective Futures: In Conversation with Elisabeth Subrin
Interview by Jessica Shearer
Online • May 08, 2023
Bad Math with Good Results: Brooke Stewart’s Solo Presentation at Boston Center for the Arts
Review by Amy Bryzgel
Online • May 01, 2023
Boston Art Review Announces its Inaugural Board of Directors
Announcement by BAR Editorial
Online • Apr 28, 2023
Benefit for the Art Writing Fellowship Fund: Crystalle Lacouture's "Good Power from All Directions"
Announcement by BAR Editorial
Online • Apr 27, 2023
Textile Politics: Newport Art Museum’s “Social Fabric” Remixes the Subversive Stitch
Review by Kendall DeBoer
Online • Apr 18, 2023
In “The Familiars,” Haley Wood and Aris Moore Craft Creatures that Recall Our Younger Selves
Review by Karolina Hac
Online • Apr 07, 2023
“Call and Response” Imagines a Radical Collective Future in the Midst of Isolation
Review by Oisin Rowe
Online • Apr 01, 2023
Alejandra Cuadra and Ashley Page Present Artistic Journeys That Intertwine
Review by Karolina Hac
Online • Mar 30, 2023
Artists are Reconsidering the Relics at Tufts University Art Galleries
Review by Sarah Baker
Online • Mar 24, 2023
In “Barkley” at Apartment 13 Gallery, A Cult Hero Makes a Comeback
Review by Gina Lindner
Online • Mar 21, 2023
Sarah Meyers Brent Brings New Life to the Objects we Leave Behind
Profile by Rachael Hershon
Online • Mar 17, 2023
Marissa Cote's “I promise to stay in touch” Asks How We Exercise Love
Review by Maya Rubio
Online • Mar 14, 2023
At “All Black Everything,” the Museum of NCAAA Came to Life with a Community Celebration
Feature by Niara Simone Hightower
Online • Mar 13, 2023
Ripple Effects: Diving into “Waterlines” at the Somerville Museum
Review by Jacqueline Houton
Online • Mar 06, 2023
Babes in Toyland: Gendered Dynamics “At Play” in Northeastern’s Gallery 360
Review by Kendall DeBoer
Online • Feb 28, 2023
Books of Beauty: The Boston Athenaeum Presents a Symposium on Artists' Books in the 21st Century March 10-11
Announcement
Online • Feb 28, 2023
A Gutted Pub at MIT has Been Brought to Life as a Cybernetic Performance Site
Review by Jameson Johnson
Online • Feb 13, 2023
Thirteen Art Exhibitions to Catch Around New England as Winter Turns into Spring
Feature by BAR Editorial
Online • Jan 25, 2023
When Workers Come A-Knockin’: Cultural Institutions and the Fight for Unionization
Feature by Josie Thaddeus-Johns
Online • Jan 09, 2023
Remembering George Fifield, Founder of Boston Cyberarts
Feature by Jameson Johnson
Online • Dec 19, 2022
Photography Into Palimpsest: In Conversation With Toni Pepe
Interview by Michelle Millar Fisher
Online • Dec 13, 2022
At the Davis Museum, Lisa Reihana Recasts Colonial Narratives Through an Indigenous Lens
Review by Marcus Civin
Online • Dec 12, 2022
B. Ingrid Olson's "History Mother, Little Sister” Invokes the Body at Carpenter Center for the Visual Arts
Review by Karolina Hac
Online • Nov 30, 2022
Woven Choreographies: Inside the Movement with Bhen Alan
Profile by Jessica Shearer
Online • Nov 18, 2022
Radical Welcome: A Roundtable on Grantmaking as Care-Centered Work
Interview by Abigail Satinsky
Online • Nov 15, 2022
On Publishing and Organizing: In Conversation with Mark Anthony Hernandez Motaghy
Interview by Erin Segal
Online • Oct 17, 2022
Twelve Fall Exhibitions to Check Out in Boston and Beyond
Feature by BAR Editorial
Online • Oct 13, 2022
At Distillery Gallery, Sunny Moxin Chen's "Wandering Be-ing" Presents a Meandering Journey
Review by Maya Rubio
Online • Oct 04, 2022
At RISD, "Variance: Making, Unmaking, and Remaking Disability" Turns a Lens to Visibility and Care
Review by Matthew Lawrence
Online • Sep 13, 2022
Soyoung L. Kim's GHOST ROOTS Reimagines an Ancient Korean Dance for the Screen
Profile by Oisin Rowe
Online • Sep 06, 2022
Self-Emancipated: Ifé Franklin in Conversation with Chenoa Baker
Interview by Chenoa Baker
Online • Aug 23, 2022
The New Public Art Projects That Are Keeping Us Outdoors
Feature by BAR Editorial
Online • Jul 19, 2022
At MAAM, "Designing Motherhood" Delves Into the Universal yet Deeply Personal Experience of Birth
Review by Jacqueline Houton
Online • Jun 15, 2022
Day-trip Worthy Exhibitions to See This Summer Around New England
Feature by BAR Editorial
Online • Jun 06, 2022
Face to Face: Napoleon Jones-Henderson & Chanel Thervil
Interview by Dell Marie Hamilton
Online • May 31, 2022
Adria Arch and Jai Hart Invite Us to Join Their “Play Date” at Nearby Gallery
Review by Maya Rubio
Online • May 29, 2022
Searching for Home in a Fractured Fairy Tale: Raida Adon’s Strangeness
Review by Jessica Shearer
Online • May 25, 2022
Fungal Threads: Minga Opazo’s Biodegradable Textile and Mushroom Sculptures
Interview
Online • May 10, 2022
Cheryl Wing-Zi Wong Creates Sites for Rest and Play in Boston's Chinatown
Profile by Lian Parsons-Thomason
Online • Apr 29, 2022
Resistance Language: Lisa Anne Auerbach's Twenty-Five Years of Wearing Her Thoughts on Her Sleeves
Review by Sara Farrell Okamura
Online • Mar 29, 2022
Mark Your Calendars: Eight Shows to Check Out in Greater Boston This Spring
Feature by BAR Editorial
Online • Mar 06, 2022
It’s My Infinite Indigenous Queer Love: In Conversation with Jeffrey Gibson
Interview by Mary McNeil
Online • Feb 26, 2022
Connecting Histories: Glenn Kaino’s “In the Light of a Shadow” at MASS MoCA
Review by Marcus Civin
Online • Feb 01, 2022
Now + There’s Visit to New Orleans for Prospect.5 Inspires a Model for a More Collaborative Art City in Boston
Critical Perspective by Leah Triplett Harrington
Online • Dec 07, 2021
Choreographing the Personal: A Profile of Jessica Roseman
Profile by Ilya Vidrin
Online • Nov 15, 2021
Communing in Isolation: Rania Matar’s Window Portraits
Review by Shuchi Saraswat
Online • Nov 05, 2021
Wish You Were Here: Paola de la Calle’s Window Display Blends History and Blurs Borders
Review by Knar Bedian
Online • Oct 30, 2021
Boston Ujima Project's Ashe Ashe Cultural Assembly is Building a Collaborative Arts Economy
Interview by BAR Editorial
Online • Oct 24, 2021
The Radical Act of Growing a Plant: Garden for Boston at the MFA
Review by Paige Curtis
Online • Sep 27, 2021
In a Painterly Field: Tamara Gonzales’s "Cosmic Recess" at Providence College Galleries
Review by Leah Triplett Harrington
Online • Aug 30, 2021
Roots of Revolution and Diaspora in Firelei Báez’s ICA Watershed Installation
Review by Elizabeth S. Hawley
Online • Jul 02, 2021
Looking Back: A Case for Co-Dreaming at Northeastern's Gallery 360
Review by Gina Lindner
Online • Jun 17, 2021
Race, Space, and Place: Getting Hyper-Local for Juneteenth in Boston
Feature by Abena Osei Duker
Online • May 15, 2021
Take a River Walk with the “Sound on Mystic” Audio Installation
Feature by Ashira Morris
Online • May 04, 2021
Dislodging the Cultural Infrastructure of Indigenous Peoples' Dispossession
Critical Perspective by Erin Genia, Sisseton-Wahpeton Oyate
Online • Mar 23, 2021
Observation and Imagination: The Art of Evelyn Rydz
Profile by Jacqueline Houton
Online • Mar 21, 2021
To Be a Painting: On What is Bitter and What is Sweet with Cicely Carew
Interview by Mallory Ruymann
Online • Mar 16, 2021
Making Space for Gen Z: The Impact of Young Voices in Community Art Initiatives
Critical Perspective by Asiyah Herrera
Online • Mar 09, 2021
Poetry, Pixels, and Posthumanism: Jibade-Khalil Huffman’s "Now That I Can Dance" at Tufts University Art Galleries
Review by Maya Rubio
Online • Mar 08, 2021
In Conversation With Kai Grant: A Champion of Roxbury
Interview by Margo Gabriel
Online • Mar 04, 2021
Tiny Art for Uncertain Futures: A Conversation with Eben Haines of Shelter in Place Gallery
Interview by Jameson Johnson
Online • Feb 27, 2021
“Wayfinding” Exhibition Expands the Critical Possibilities of Historical Maps
Review by Shana Garr
Online • Feb 22, 2021
Yes MAAM: A Game-Changing Revamp Yields Boston's First Free Contemporary Art Museum
Review by Jacqueline Houton
Online • Feb 12, 2021
Face to Face With Ayana Mack: Creating Images of Power and Purpose
Profile by Jacquinn Sinclair
Online • Feb 02, 2021
Subversive Celebration: Photography of Black Joy and Healing in a Summer of Reckoning
Critical Perspective by Jonathan Rowe
Online • Dec 29, 2020
Sensing Growth in the Cracks: Beatrice Modisett at Montserrat College of Art Galleries
Review by Lydia Gordon
Online • Dec 04, 2020
A Dance Between Past and Present: Chantal Zakari’s “A Work in Progress”
Review by Karolina Hac
Online • Dec 01, 2020
Supporting Boston-Based Artists and Makers This Holiday Season
Feature by Jameson Johnson
Online • Sep 01, 2020
Fitchburg Art Museum Explores Mortality and Remembrance With “After Spiritualism”
Review by Daria Semco
Online • Aug 20, 2020
Experimental Art Leaves the Museum and Heads for the Drive-In
Review by Jacquinn Sinclair
Online • Aug 03, 2020
As Boston Cautiously Reopens, AREA CODE Art Fair Brings Art Back to the City
Review by Karolina Hac
Online • Jul 21, 2020
The Communal Intimacy of Public Art: In Conversation with Yu-Wen Wu
Interview by Gina Lindner
Online • Jun 23, 2020
Movement Toward Another World: In Conversation With Mar Parrilla
Interview by Theresa Mitchell
Online • Apr 28, 2020
In "Walls Turned Sideways" Forty Artists Tackle America's Criminal Justice System
Review by Shana Garr
Online • Apr 18, 2020
At Boston Center for the Arts, "FeministFuturist" Takes to the Web
Review by Karolina Hac
Online • Mar 20, 2020
Art in the Time of COVID-19: Resources, Opportunities, and Ideas for our Community
Announcement by BAR Editorial
Online • Mar 09, 2020
Spacetime (x,y,z + t): Traversing Time and Space through Technology and Art
Review by Jacquinn Sinclair
Online • Feb 19, 2020
Digital Domain: In Conversation With Juan Obando
Interview by Isabella Achenbach
Online • Feb 11, 2020
2020 Talk Series Organized by Claire Barliant, Daisy Nam, and Meg Rotzel is Announced
Announcement by BAR Editorial
Online • Feb 02, 2020
The Sphinx Northeast Returns to Boston With Christopher Schade's "Passing Islands"
Review by Katy Diamond Hamer
Online • Dec 13, 2019
At Emerson Contemporary, an Immersive Installation Provides an Imagined Glimpse of our Future Earth
Review by Mary Morris Evans
Online • Dec 05, 2019
Remembering as a Collaborative Act: In Conversation With Katarina Burin and Farhad Mirza
Interview by Robert Moeller
Online • Nov 06, 2019
Not to be Missed: The Boston Art Book Fair is Back for a Third Year
Announcement by Jameson Johnson
Online • Oct 09, 2019
Unseen Dimensions of Public Space: Disrupting Colonial Narratives
Critical Perspective by Erin Genia, Sisseton-Wahpeton Oyate
Online • Oct 03, 2019
New Movement: Boston Exhibition Looks Closely at a World in Motion
Review by Argyro Nicolaou
Online • Sep 03, 2019
Fragments of Antarctica: In Conversation with Georgie Friedman
Interview by Gina Lindner
Online • Aug 07, 2019
Process, Practice, and Presence: Looking Back with Tory Fair
Interview by Jameson Johnson
Online • Jun 28, 2019
Street Theory Presents Eight Artists, Nine Murals, and One Highway Underpass
Review by Dan Atkinson
Online • May 14, 2019
Weaving With the Thread of Time: In Conversation with Cecilia Vicuña
Interview by Jameson Johnson
Online • Apr 19, 2019
Art in Action at the BCA Mills Gallery: Maya Erdelyi on the Magic of Animation
Profile by Jacqueline Houton
Online • Apr 02, 2019
Kapwani Kiwanga: Surveillance and the Limits of Recognition at The MIT List
Review by Denis Mwaura
Online • Feb 22, 2019
Not Time, But Feeling is Presented in Suara Welitoff's "Right Now This Moment"
Review by Theresa Mitchell
Online • Feb 04, 2019
Poetic Response: Stephanie Woods' Art Challenges Racial Perception and Performance
Review by Laura Neal
Online • Nov 30, 2018
Afterlife in Detroit: The Story of a Man, an Egg, and a Train Station
Profile by Isabella Achenbach
Online • Nov 22, 2018
Taking Away the Edges: Lavaughan Jenkins at Suffolk University Gallery
Review by Karolina Hac
Online • Nov 09, 2018
LaKela Brown and Ruby Sky Stiler at Providence College Galleries
Review by Elizabeth Corkery
Online • Nov 05, 2018
Sensuous Experiences with Art on The Margins: American Outsider Art at Tufts University
Review by Denis Mwaura
Online • Nov 01, 2018
"Under a Dismal Boston Skyline ": An Era Not Forgotten
Review by Heather Kapplow
Online • Oct 27, 2018
Stephanie Cardon’s Massive Installation Calls for Climate Action At the Entrance to The Prudential Center
Interview by Brandi Griffin
Online • Oct 19, 2018
Media_Rins Brings Post-Internet to the Museum of Fine Arts, Boston
Quick Bit by Allison Miller
Online • Oct 08, 2018
A Farewell Trail: The "Hemlock Hospice"
Critical Perspective by Sophie Kissinger
Online • Sep 16, 2018
A Stage for Emergence: Fujiko Nakaya’s Installations Reveal Fog as a Sculptural Medium
Review by Jameson Johnson
Online • Sep 03, 2018
Inside The Watershed: ICA Boston Sails Across the Harbor
Feature by Olivia Kiers
Online • Aug 26, 2018
The Dialectic Nature of Shrines at Dorchester Art Project
Feature by Olivia Deng
Online • Jun 20, 2018
Suara Welitoff's "The Feeling of a Feeling" at Anthony Greaney
Review by Wesley Simon
Online • Jun 03, 2018
In Conversation: Tomek Sadurski on "NAVIGATORS" and "TIDES"
Interview by Phil Zminda
Online • May 27, 2018
Making Room: How Boston’s Emerging Artists Carve Space for Themselves
Feature by Phil Zminda
Online • May 09, 2018
Between Frontiers: In Conversation with Kylie Manning
Interview by Lauren Pellerano Gomez
Online • Apr 26, 2018
Beyond Regionalism: A Decolonial Atlas at Tufts University Art Gallery
Review by Lizi Ham
Online • Apr 25, 2018
Art In a Digital Landscape: In Conversation with Judith Barry
Interview by Jameson Johnson
Online • Apr 20, 2018
“Code-Stitch: Resistance in Apparel” at How's Howard Gallery
Review by Kevin Le Blanc
Online • Apr 12, 2018
Internet on View: Trevor Paglen at the Institute of Contemporary Art Boston
Review by Kate McBride
Online • Mar 02, 2018
Influence X Design Conference Sheds Light on Design Accountability
Review by Robert Passas
Online • Feb 23, 2018
Kristin Texeira Talks Color, Memory, and Abstraction at Topdrawer Boston
Review by Avery Robertson
Online • Feb 15, 2018
Risqué or defiant? Killers & Thrillers at Kabinett Gallery Draws a Crowd
Review by Jule Davidoff
Online • Feb 06, 2018
In Conversation: Hannah Fallon with Lauren Pellerano Gomez
Interview by Lauren Pellerano Gomez