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Founded in October of 2017, Boston Art Review (BAR) is an independent online and print publication committed to facilitating active discourse around contemporary art in Boston.

© 2025 Boston Art Review. All rights reserved.

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Issue 09: Burnout - BAR9Cover-Square
  • Issue 09: Burnout - BAR9Cover-Square
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Issue 09: Burnout

Fall/Winter 2022

$18.00

This issue is dedicated to exploring how burnout can act as a catalyst for collaborating and collective organizing, while also acknowledging the necessity for care in moments of exhaustion. The work presented in this issue digs into the complex power dynamics inherent to labor, care work, and unseen effort. How does burnout lead to precarity for small organizations, art spaces, or even personal practices? What does a post-burnout culture look like?

Cover: Andy Li, The Exhale, 2022.

In this Issue

Title

Author

Category

Link

Letter From the Editor

Jameson Johnson

Letter

Curators’ Corner: Getting into the Garden

Caitlin Julia Rubin

Curator's Corner

Photography into Palimpsest: In Conversation with Toni Pepe

Michelle Millar Fisher

Conversation

READ

Ujima’s Tenets for Resisting White Supremacy Culture (and Burnout) in the Workplace

Paige Curtis

Feature

When Workers Come a-Knockin’: Cultural Institutions and the Fight for Unionization

Josie Thaddeus-Johns

Feature

READ

A Very Black Space to Be: In Conversation with Golden

Nakia Hill

Conversation

Slow Burn: Pyrographic Artist Katrine Hildebrandt-Hussey Draws Cosmic Connections One Careful Line at a Time

Jacqueline Houton

Profile

On Publishing and Organizing: In Conversation with Mark Anthony Hernandez Motaghy

Erin Segal

Conversation

READ

Tending the Flame: The Creative Community on Combating Burnout

Jessica Shearer

Feature

How Andy Li Is Threading Together Love and Awareness

Tessa Bachi Haas

Profile

Cubicle

Isabella Kiser

Artist Project

Fragments of Home: In Conversation with Kate Holcomb Hale

Shana Dumont Garr

Conversation

Behind VA Shadows: An Alternative Form of Support for Museum Frontline Staff

Nemo Xu

Profile

Radical Welcome: A Roundtable on Grantmaking as Care-Centered Work

Abigail Statinsky and Anneke Chan

Feature

READ

A Colleague Is in Crisis: Conflict Resolution Thought Partners Are Here to Help

Chenoa Baker

Feature

“Variance: Making, Unmaking, and Remaking Disability” at the RISD Museum

Matthew Lawrence

Review

READ

“The Sun Rises in the West and Sets in the East” at Tufts University Art Galleries

Danni Shen

Review

READ

“Sunny Moxin Chen: Wandering Be-ing” at Distillery Gallery

Maya Rubio

Review

READ

“B. Ingrid Olson: History Mother, Little Sister” at Carpenter Center for the Visual Arts

Karolina Hać

Review

READ

“Lisa Reihana: in Pursuit of Venus [infected]” at the Davis Museum

Marcus Civin

Review

READ

“Ceramics in the Expanded Field” at MASS MoCA

Kaitlyn Ovett Clark

Review

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Articles from this Issue

Issue 09 • Jan 25, 2023

When Workers Come A-Knockin’: Cultural Institutions and the Fight for Unionization

Feature by Josie Thaddeus-Johns

Issue 09 • Dec 19, 2022

Photography Into Palimpsest: In Conversation With Toni Pepe

Interview by Michelle Millar Fisher

Issue 09 • Dec 13, 2022

At the Davis Museum, Lisa Reihana Recasts Colonial Narratives Through an Indigenous Lens

Review by Marcus Civin

Issue 09 • Dec 12, 2022

B. Ingrid Olson's "History Mother, Little Sister” Invokes the Body at Carpenter Center for the Visual Arts

Review by Karolina Hac

Issue 09 • Dec 03, 2022

At Tufts, “The Sun Rises in the West and Sets in the East" Proposes New Possibilities Among Shifting Geopolitical Futures

Review by Danni Shen

Issue 09 • Nov 18, 2022

Radical Welcome: A Roundtable on Grantmaking as Care-Centered Work

Interview by Abigail Satinsky

Issue 09 • Nov 15, 2022

On Publishing and Organizing: In Conversation with Mark Anthony Hernandez Motaghy

Interview by Erin Segal

Issue 09 • Oct 13, 2022

At Distillery Gallery, Sunny Moxin Chen's "Wandering Be-ing" Presents a Meandering Journey

Review by Maya Rubio

Issue 09 • Oct 04, 2022

At RISD, "Variance: Making, Unmaking, and Remaking Disability" Turns a Lens to Visibility and Care

Review by Matthew Lawrence

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